Last November, I had the incredible opportunity to attend the Moondobangs workshop at Twelve80, an experience that pushed my creative boundaries and gave me a fresh perspective on ceramics. The workshop, led by Moondobangs, was not only a chance to learn new techniques but also to immerse myself in an inspiring, collaborative environment with fellow ceramic enthusiasts.
The space at Twelve80 was ideal for creativity, with its open and welcoming atmosphere that allowed us to dive straight into the hands-on part of the workshop. Moondobangs’ unique approach to ceramics caught my attention from the start. He has a distinct style that blends traditional techniques with a contemporary twist, making their work stand out in the ceramic community.
A significant part of the workshop was focused on throwing tall cylinders using Moondobang’s specific techniques from Korea. It was an intense challenge, requiring precise control and a delicate balance of speed and pressure. The process demanded more focus and physicality than I expected, but it was incredibly rewarding to see the form start to take shape. Reflecting back, I realized that attending Malcolm Greenwood’s workshop two years earlier had set me in good stead for tackling these advanced throwing techniques. The skills I honed with Malcolm—particularly in understanding clay behavior and control—were crucial in allowing me to approach Moondobang’s methods with confidence.
What stood out most to me, though, was Moondobang's approach to teaching. He was incredibly focused, patient, and attentive, providing individual guidance while fostering a positive, encouraging environment for everyone. As much as I was there to learn throwing techniques, I quickly realized I was also learning valuable teaching skills just by watching him in action. Observing how he communicated complex ideas, how he broke down techniques into manageable steps, and how he ensured every student felt seen and supported made me reflect on my own teaching practices. It’s a powerful experience to witness someone teach with such clarity and presence. It made me more aware of the importance of patience and the need for clear, thoughtful communication when working with students—skills I now incorporate into my own teaching, making me a better instructor.
What also blew me away was that his instructions were relayed through a translator. which was an absolute immense undertaking by the talented potter Goosullae Kim. My head still hurts thinking of how she was able to split her head in two.
Watching Moondobang make a beer cup was astonishing. As he was pulling up the walls the curve of the pot glass was just so, that right before my eyes, it was as if it had turned into glass. To get the proportions and bell shape so perfect that my eyes defied me, I was left breathless. At the end of the workshop, I was the lucky recipient of this amazing piece in the raffle, all I had to do was glaze it. thank you very much!
The interaction with other participants was also incredibly enriching. It was a fantastic opportunity to share ideas, exchange tips, and receive feedback from a diverse group of artists, which I found both motivating and encouraging.
Attending this workshop was more than just an educational experience; it was a reminder of the importance of stepping out of my usual routine and seeking new sources of inspiration. The skills and ideas I gained from Moondobang's class and the Twelve80 space have influenced my work ever since, making this workshop a truly transformative experience. Even three months on I am still hearing his encouraging words as I make every pot "cheoncheonhi" (#iykyk). And like a devoted student, I try to practice it every day.
